Showing posts with label Kathryn Bigelow. Show all posts
Showing posts with label Kathryn Bigelow. Show all posts

Saturday, August 12, 2017

Detroit

An aspiring Motown singer (Algee Smith) and a friend, along with a security guard (John Boyega), a returning Army vet (Anthony Mackie), and others regrettably assemble at the Algiers Motel near the epicenter of the 1967 Detroit riots and find themselves victims of the crazed and tortuous police force searching for a sniper alleged to have fired from the establishment. Made with screenwriter Mark Boal, collaborator on her recent high profile projects (The Hurt Locker, Zero Dark Thirty), Kathryn Bigelow's Detroit is made with the sole and express intention to incite plus is scattershot and overlong, with too many unnecessary, drawn out scenes and underdeveloped characters, and a misguided inclination to treat the dreadful incident like a horror movie.
** out ****

Wednesday, June 12, 2013

Strange Days

It is the last day of the 20th Century and a crime ridden Los Angeles is about to erupt with news that the police department is implicit in the death of a megastar musician/activist. Into this mix is thrown Lenny (Ralph Fiennes), a washed up ex-cop turned hustler who pushes the latest cyber technology: a sensory device that allows the user to voyeuristically experience other people's deepest and darkest sensations. Kathryn Bigelow's Strange Days is an overly ambitious film with a protracted denouement, a foreseeable major plot twist, and awful dialogue from her former husband James Cameron and Jay Cocks. It features some incredible action sequence, Fiennes is great as usual, and he receives great support from Angela Bassett. In the end however, the film tries to do much and becomes muddled and mind numbing.

Tuesday, January 8, 2013

Zero Dark Thirty

Following the cataclysmic attacks on September 11, 2001, a covert CIA team operating out of undisclosed locations across the globe uses torture tactics in an attempt to attain the location of Osama bin Laden and other top al-Qaeda members. A young female agent (Jessica Chastain), described as "a killer" by her CIA station chief (Kyle Chandler, excellent), bears witness to the brutal tactics employed by her agency and also an often harsh brand of chauvinism from her contemporaries. Through sheer tenacity, over a duration of nearly ten years, and during lulls where his extinguishment was not prioritized, she played a vital role in the ultimate demise of bin Laden. Following her unpredictable and unprecedented success with "The Hurt Locker", Kathryn Bigelow returns with screenwriter Mark Boal and presents another painstaking, methodical, and suspenseful effort. Though I sometimes found her too mousy for the role, Chastain nonetheless delivers admirably and serves as perhaps an autobiographical conduit for her director. The supporting cast is mostly well picked including James Gandolfini as CIA director Leon Panetti and Joel Edgerton, Chris Pratt, and Frank Grillo as a few of the members of the SEAL team. However, I did not care for the performance of Jason Clarke, who plays a brutal interrogator early in the film, and whose trajectory later on doesn't make a whole lot of sense, a choice which seems to have been done for effect. Though they both work extraordinarily on their own terms, the investigation and the climactic early morning raid (which plays out in what feels like real time) don't really complement each other, or serve as a satisfying conclusion to Chastain's story, which may or may not be a statement on the perpetual War on Terror.

Thursday, November 3, 2011

Point Break

A young hotshot ex-football player (Keanu Reeves) transfers to the L.A. bank robbery division of the FBI and is assigned to an eccentric veteran (Gary Busey) who has a wild theory that the most elusive crew is comprised of surfers who don the mask of former ex-presidents. Buying into the theory, the agent attempts to infiltrate the gang by way of a surfer chick (Lori Petty) which leads him to the centered, zen-like king of the board (Patrick Swayze) who takes him on a dangerous ride. "Point Break" is a fun and silly movie until about the 45 minute mark when the film rapidly digresses into utter ridiculousness. Kathryn Bigelow's movie is surprisingly well shot, but after awhile I wondered if the movie was to be taken seriously or taken for a farce as inane plot turns and horrendous acting become to much to bear. Honestly, I liked Swayze and supporters Busey, Petty, and John C. McGinley, but Reeves' movies consistently leave me asking myself if a better film would have resulted if he were not in them and the absolute absurdity of almost all of the plot turns here left me feeling more then a little bummed out.