A photographer retreats from the hustle and bustle of 1960s New York to Boston where she discovers her calling: taking natural photographs in her home studio on a rented, oversized 20x24 Polaroid camera. Uninspired Errol Morris documentary, one of his worse, where he curiously opts to forgo the use of his Interrotron, a device which has helped maintain the fascination level in his movies. As for the subject, though Dorfman seems wise and affable, this is essentially a profile of a family portrait photographer who just happened to be friends with Allen Ginsberg and snap a couple pictures of Bob Dylan.
** out of ****
