A blog dealing with either the joy of cinema or the agony of cinema--nothing in between.
Friday, April 15, 2011
The Iron Giant
In 1957 small town Maine, a mischievous and lonely boy is playing in the restaurant where his single mother works. He overhears the town cook being mocked for claiming he saw a metal giant fall out of the sky. Later that night the boy chances to meet the 50 foot creature, and the two begin to bond as the boy discovers the giant is capable of learning and showing emotion. The boy soon realizes that keeping his new friend hidden from the fearful townspeople will be a problem, but he soon befriends a beatnik junkyard dealer who reluctantly allows the boy to store his pal there. A bigger problem looms though in the form of a incompetent yet dogged government agent who has caught wind of the giant's presence and will stop at nothing until he is caught and destroyed. The Iron Giant is an animated science-fiction that also functions as a satire of 1950s atomic age America. The film wonderfully recreates the times and tells a greatly involving story as well. Brought to the screen by Brad Bird, who would later join the Pixar team and direct the fine films The Incredibles and Ratatouille, this is a wonderful and warm film made in the same vein as E.T. The creation of the giant is truly remarkable, and the responses and emotions he emits are touching. Here, Bird proves that animation need not only be for children, but, by being intelligent and involving, can also hold an appeal for adults as well.